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Babu chose a long, pitted wall that bordered the old train line. It was a patchwork of other people’s pieces: faded stencils, angry slogans, a child’s crayon sun. He planned a mural unlike his moon—this time, a city dressed as a living creature. He wanted to paint the city’s heartbeat: its secret gardens, the children selling mangoes on the corner, the lamplighter who still remembered names, the pigeon with a broken wing who slept on the station bench.