The story follows Carla, a free-spirited Venetian woman played by the captivating Ukrainian-born actress and model Yuliya Mayarchuk. Carla moves to London to find an apartment for her jealous boyfriend, Matteo, and wait for him to join her. In her search, she encounters Moira, a lesbian real estate agent, leading to a series of erotic encounters that challenge her relationship and her own perceptions of love and fidelity. The film explores the hedonistic idea of "infidelity as a stimulant for the couple" and champions the concept of sexual freedom within a loving relationship.
This essay explores the cinematic style and thematic focus of Tinto Brass’s 2000 film Trasgredire (released internationally as Cheeky ). The Aesthetics of Voyeurism: Tinto Brass and Trasgredire
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She embarks on a series of erotic encounters, including a passionate affair with Moira and a liberating sequence at a massive, free-spirited sex party. When Matteo finally arrives in London to confront her, he is forced to shed his traditional possessiveness, realizing that Carla’s zest for life and transparent honesty are what truly preserve their love. Aesthetic Style and Critical Analysis
Even by the standards of his late-career work, Trasgredire is a visual treat. The film bounces between the sun-drenched beauty of Venice and a more stylized, studio-bound London (much of it was shot at Cinecittà Studios in Rome). Brass’s direction is characterized by his masterful use of space, light, and bold primary colors, turning every frame into a lush, living painting. The story follows Carla, a free-spirited Venetian woman
The film follows (Yuliya Mayarchuk), a young Venetian woman searching for an apartment in London for herself and her boyfriend, Matteo.
The film often employs a perspective that emphasizes the observation of its subjects within their environment, reflecting the director's interest in the human form. The film explores the hedonistic idea of "infidelity
The narrative follows Carla, a twenty-year-old Venetian woman who travels to London to find a rental apartment for herself and her student boyfriend, Matteo.
Plays Carla’s conflicted, Venetian boyfriend.
Tinto Brass famously used his films as a polemic for his personal views on sexuality. In interviews featured on the DVD/Blu-ray , Brass stated his intent was to advance a certain brand of feminism through Carla, depicting her as a modern woman fully aware of her sensuality. He is also well-known for his fixation on the female derrière, famously claiming that while the face can be a "hypocritical mask," the backside "doesn't lie" and is the "mirror of the soul". Production & Style Tinto Brass.
The narrative culminates when Matteo travels to London, leading to a dialogue between the characters regarding their differing views on trust and personal freedom.